Carolyn Wonderland
Carolyn Wonderland
Carolyn Wonderland, with her dynamic guitar playing, formidable songwriting, and pure Texas vocals, has more than earned her reputation as a fiercely independent artist. Wonderland plays original, bluesified, cosmic soul music, mixed with heavy doses of Tex-Mex and riff-fueled rock ‘n’ roll. She has been performing professionally since the age of 15 and has led a colorful and adventurous life. On the road her entire career, she’s played with icons from Townes Van Zandt to Levon Helm, from Buddy Guy to Hubert Sumlin, from Bob Dylan to John Mayall, all while writing her own story.
On her new Alligator Records album, Truth Is, Wonderland, with her vividly detailed, instantly memorable songs, reflects on the world with honesty and righteous conviction. Wonderland’s bold and insightful songs tell common-sense truths that, in her words, “need to be told.” They are driven by her sometimes savage and other times gently melodic guitar fingerpicking, along with her full-throated yet still vulnerable vocals. As for the album’s brutally honest subject matter, Wonderland says, “There’s always hope and we’re still here for each other, but at some point, you have to sing about the elephant in the room.”
Truth Is is a timeless album for these times. Over the course of the album’s 12 songs—including 10 Wonderland originals and co-writes—Wonderland and her band create lasting musical magic. From the blistering, ear-opening “Sooner Or Later” to the riff-heavy battle cry “I Ain’t Going Back” to the emotional gut-punch of the title track, this is music that commands attention. The poignant, profound and heartbreaking “Let’s Play A Game”, to the swaggeringly bluesy “Whistlin’ Past The Graveyard Again” (“that’s a day in the life of me and my friends,” says Wonderland), to the cathartic closer, “Blues For Gene” (a tribute to her late friend, piano giant Gene Taylor, with Carolyn and album producer Dave Alvin shedding tears as they were recording the track), the songs tell real and relatable stories while running the full gamut of emotions.
On “Wishful Thinking”, Wonderland elegantly sings her Texas heart out, wringing every bit of emotion from her friend Greg Wood’s potent and reflective lyrics. Her version of The Band’s “Orange Juice Blues” shares the same ramshackle, going-for-broke carnival vibe of the “Basement Tapes” original, with Wonderland and her crew turning it all up a notch. Like every song she touches, she makes it her very own. Industry maven Bill Bentley, writing in Americana Highways, said, “Wonderland’s an astounding songwriter…and her ability to totally pull other songs into her own world is the mark of an all-timer. There are no limits to what she can do [with her] powerful vocals and whip-ass guitar playing. It’s clear she isn’t fooling around.”
Truth Is was produced by legendary guitarist and songwriter Dave Alvin (producer of Wonderland’s Alligator debut, Tempting Fate), who also co-wrote four songs, three of which he plays on. Wonderland says of Alvin, “I’ve never had my ass handed to me so thoughtfully in the studio. I came in with songs and Dave took the arrangements I wasn’t married to and put on his “Mad Rearranger” hat to get to the heart of the songs, always looking for and finding something that tells the story better. Dave is amazing. He has an incredible literary mind and is one of the best guitar bashers I’ve ever met.”
Along with bassist Naj Conklin and drummer Giovanni “Nooch” Carnuccio, Wonderland is joined on Truth Is by guests including Alligator labelmate Marcia Ball and friends Shelley King, Ruthie Foster, Cindy Cashdollar (“the Girl Gang,” says Wonderland), Red Young, Bukka Allen, Kevin Lance, Henri Herbert and Stuart Sullivan. The album was recorded and mixed by Sullivan at Wire Recording in Austin, Texas.
With Truth Is, Carolyn Wonderland stakes her claim among the most influential roots music voices today, delivering the blues’ honest truth to all who will listen. Her courageously empowering music packs an emotional wallop, with every track on the album performed with a rare intensity that is welcoming and ultimately uplifting. “She’s something else,” Bob Dylan once said to Ray Benson. “She should be nationwide.”
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Carolyn Wonderland was born in Houston, Texas in 1972, growing up in a house full of musical instruments. She first started making music at age six, and by eight had decided, in her own mind, that she was a musician. After she scratched her mother’s vintage Martin guitar by imitating Pete Townsend’s famous windmill move, she was forbidden from using a pick. Because of that, she developed her aggressive, distinctive fingerpicking guitar attack. By age 15, she was performing at Houston’s famed Fitzgerald’s club, playing solo or with friends. As a 16-year-old, she swapped songs with Townes Van Zandt. She formed her first band when she was 17, and began proving herself on the tough, competitive Houston club scene. A year later, she joined forces with famed Houston musician Little Screamin’ Kenny and formed The Imperial Monkeys. Before long, Carolyn Wonderland And The Imperial Monkeys were touring as far as Utah, New York and South Dakota, and winning every music award Houston had to offer. A booking at Austin’s famous Antone’s club left a strong mark on Wonderland, who moved to Austin in 1999 at the urging of her friend Doug Sahm. “Come to Austin,” he said. “It’s the land of free guitar lessons.”
After two self-released recordings, Wonderland recorded four albums produced by her friend, famed musician Ray Benson, founder of the multiple Grammy-winning band Asleep At The Wheel. According to Benson, “Carolyn’s got that unbelievable, incredible voice, one of the great voices of our times. She’s also an incredible guitar player and a great person. The combination is disarming and totally real. That’s magic.” Carolyn first met Ray when Bob Dylan asked him how to get in touch with her in 2004, as he was a fan. Ray didn’t know Carolyn but tracked her down and the two Texans became quick friends. Then, according to Wonderland, “Bob asked me to write answer verses for his song Leopard Skin Pillbox Hat and he asked me to meet him at soundchecks on his tour.”
The popular and critical response to Wonderland and her music has led to appearances on Austin City Limits, NPR’s Weekend Edition and NPR Music’s Mountain Stage. Features and reviews have run in publications from The Los Angeles Times to The Boston Herald. She’s jammed with countless musicians including Johnny Winter, Willie Nelson, Kris Kristofferson, James Cotton, Los Lobos and Levon Helm.
In 2018, legendary musician and bandleader John Mayall chose Wonderland to be lead guitarist in his band, The Blues Breakers. She became the first woman to ever hold that position, with the previous members comprising an all-star list of iconic guitarists including Eric Clapton, Mick Taylor, Peter Green, Coco Montoya, Walter Trout and Buddy Wittington. She toured the world with Mayall and played on his last two albums, including the GRAMMY-nominated The Sun Is Shining Down. She’s performed with her own band all over the U.S. and in Canada, Mexico, Brazil, Panama, the Netherlands, Belgium, Germany, Spain, Italy, Austria, Slovenia, Canary Islands, Norway, Sweden, Finland, and Japan.
Wonderland’s 2021 Alligator Records debut, Tempting Fate, brought her to her largest audience yet. The response was immediate and glowing. Premier Guitar proclaimed, “Wonderland is a Texas legend…a rising global star. She has a ferocious fingerpicking style and a passion for bringing fire to the blues.” Living Blues said, “Every song showcases Wonderland’s never-waste-a-note guitar work and warm, soaring vocals. There may not be a better album this year.” For her efforts, she won the Austin Music Award for both Best Blues Artist and Best Guitarist and was inducted into the Austin Music Hall Of Fame. She’s been nominated for three Blues Music Awards.
In addition to her music, Wonderland works tirelessly for a wide variety of charitable and social causes. While in her 20s, she lost her lease, and lived in her van for two years, where, she says, “I learned how much more expensive it is to be poor.” She is a founding member, along with Marcia Ball, of H.O.M.E. (Housing Opportunities for Musicians and Entertainers, HomeAustin.org), which provides emergency financial assistance to older Austin-based musicians in need.
In 2011, Wonderland married humorist A. Whitney Brown, in a ceremony performed by the late Michael Nesmith on Austin’s Doug Sahm Hill and documented in The New York Times’ VOWS section. Nesmith, who had previously produced a song for Wonderland on an earlier album, proclaimed, “When she goes into that mode where she decides to grab the heart of the song and hold it up for everybody to see, it’s just so searing. Nothing can be this raw. Nothing can be this real.
