Ray Bonneville with special guest Seth Glier
Acclaimed raconteur Ray Bonneville strips his bluesy Americana down to its essentials and steeps it in the humid grooves of the South, creating a compelling poetry of hard living and deep feeling.
Jim Withers (Montreal Gazette) describes his sound as “folk-roots gumbo… a languid Mississippi Delta groove, seasoned with smooth, weathered vocals and a propulsive harmonica wheeze.” Whether performing solo or fronting a band, playing electric or acoustic guitar, Bonneville allows space between notes that adds potency to every chord, lick, and lyric. Thom Jurek (Allmusic.com) remarks, “With darkness and light fighting for dominance… he’s stripped away every musical excess to let the songs speak for themselves.”
Often called a “song and groove man,” Bonneville has lived the life of the itinerant artist. From his native Quebec, he moved to Boston at age twelve, where he learned English and picked up piano and guitar. Later, he served in Vietnam and earned a pilot’s license in Colorado before living in Alaska, Seattle, and Paris. Six years in New Orleans infused his musical sensibilities with the region's culture and rhythms. And then, a close call while piloting a seaplane proved pivotal: After two decades working as a studio musician, playing rowdy rooms with blues bands, and living hard, Bonneville’s lifetime of hard-won experience coalesced into an urge to write his own music.
Ray recorded his first album, On the Main, in 1992. He’s since released nine albums, including his October 2023 release, On The Blind Side, earned wide critical and popular acclaim, and won an enthusiastic following in the U.S., Canada, and Europe. His awards include a prestigious Juno, the Canadian equivalent of a Grammy, for his 1999 album, Gust of Wind. In 2012, Ray won the solo/duet category in the Blues Foundation’s International Blues Challenge. His post-Katrina ode, “I Am the Big Easy,” earned the International Folk Alliance’s 2009 Song of the Year Award, placed number one on Folk Radio’s list of most-played songs of 2008, and was recently covered by Jennifer Warnes for the BMG label.
Other notable artists who have recorded his songs include Ronnie Hawkins (“Foolish”) and Slaid Cleaves (“Run Jolee Run”). Ray has shared the bill with blues heavyweights Muddy Waters, B.B. King, Dr. John, J.J. Cale, and Robert Cray, and has guested on albums by Mary Gauthier, Gurf Morlix, Eliza Gilkyson, Ray Wylie Hubbard, and other prominent musicians. He has performed at renowned venues around the world, including South by Southwest, Folk Alliance, and Montreal International Jazz Festival, and plays over 100 shows per year across the U.S., Canada, and Europe. When not on the road, Ray divides his time between homes in Goulais River, Ontario and Austin, Texas.
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The earth speaks to us in a myriad of ways — through ice cores, through uplift and erosion, through tree rings — languages we have the potential to restore our literacy in. Reconnecting with these quiet messages has set Seth Glier, an avid mushroom forager and a Grammy-nominated artist from Western Massachusetts, on a path of channeling nature’s longing for communion with humanity into song. His new album Everything is a collection of eight songs inviting us to imagine a future in which humans and the planet are re-aligned into mutual restoration.
Each song presents a practical climate solution with concrete optimism.“What if this is the beginning, not the beginning of the end,” the album opens with bristling energy and hope on “Rise,” an anthem about rewilding. “Finally Home” is a celebration of regenerative farming with driving doo wop vocal harmony. “Mammoth,” written from the perspective of a wooly mammoth being brought back to life from frozen DNA, invites us to consider the blip of human history against billions of years of evolution. The album’s guest stars Crys Matthews, Hayley Reardon, and Windborne elevate the record with surprise from the stark choir arrangement of “Birches” recorded a capella in an old church to “My Body Remembers,” a flowing meditation on the transmission of healing, EMDR & The Language of Trees. The album’s title track was inspired by an experience Seth had while foraging. “When I picked up the chantarelle mushroom and brought it towards my nose I first smelled sweet apricot and then my spine straightened suddenly. The feeling was like déjà vu. It was a first time, yet somewhere inside of me I had done this once before. I was reconnecting to a knowledge I had already known.” The album is an acknowledgement of the sacred connections that exist between all living things and is an active questioning of what might be possible collectively. Everything is a reminder that the future is something we always have an influence over.
Seth’s gifts are an innate curiosity and a fierce desire to connect with other people. His musical acumen provides him with a vehicle for both. He was worked as a cultural diplomat for the US State Department and collaborated with musicians in Ukraine, Mongolia, China, and Mexico. Seth has shared the bill with a diverse list of artists ranging from the likes of Ronnie Spector, James Taylor, Ani DiFranco, & Glen Campbell. As a producer, music director, or studio musician he has collaborated with Sophie B. Hawkins, Tom Rush, Antje Duvekot, Richard Shindell, Doctora Qingona, Dar Williams, Nick Carter, & Cyndi Lauper. Seth is a five-time Independent Music Award winner and received a Grammy nomination for his album The Next Right Thing. With a commitment to using songwriting as a tool for positive change, he has written with the students in Parkland, FL for the “Parkland Project,” cowritten with soldiers at Walter Reed, and is an advocate for autism awareness citing his autistic brother Jamie as his greatest non-musical-musical influence.
