Pony Bradshaw
Tyler Key grew up in Bowdon GA, a tiny town between Atlanta and Birmingham, surrounded by farmland and generations of kinfolk. Sharecroppers and mechanics and truck drivers and seamstresses made up both sides of his family, not a musician in the lot. Instead of playing an old time fiddle tune, they did what good southerners do best: they told stories, shot the bull, carried on. All this “carrying on” tuned Key’s ear to the cadence of a good story from the get-go.
After stumbling his way through college with a degree in literature, he found his footing in Athens GA, a college town and hub for creative types and eccentrics. There he wrote 2019’s Local Supportand started touring regionally. Key honed his musicality as a pedal steel guitarist for country-ish acts like The Howdies, T. Hardy Morris, Little Gold, and Pony Bradshaw.
His most recent album, Wild Azaleas and Other Tall Tales, sounds a bit like Sticky Fingers-era Stones with the offbeat lyricism of John Prine. It’s comfortably weird, and weirdly comfortable.
For Key, it’s his way of carrying on that grand tradition of telling stories, lies, half-truths, and tall tales.