Albert Cummings

ALBERT CUMMINGS

DOORS AT 7PM, SHOW AT 8PM

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Albert Cummings is a formidable force in the world of contemporary blues, celebrated for his electrifying guitar prowess and soulful vocals that resonate with audiences worldwide. With a career spanning decades, Cummings has continually pushed the boundaries of the blues genre, infusing it with his own distinctive style and unwavering passion.

His latest album, “Strong,” exemplifies Cummings’ musical evolution and artistic depth. Released to critical acclaim, “Strong” showcases his remarkable versatility as a musician, effortlessly weaving together elements of blues, rock, and soul to create a captivating sonic tapestry. From gritty, hard-hitting tracks to poignant, introspective ballads, the album is a testament to Cummings’ songwriting prowess and emotive delivery.

Throughout his illustrious career, Cummings has garnered widespread recognition and admiration for his dynamic live performances, where his virtuosic guitar solos and heartfelt lyrics leave audiences spellbound. His ability to connect with listeners on a profound level has earned him a dedicated fanbase and solidified his status as a revered figure in the blues community.

Born and raised in Massachusetts, Cummings’ musical journey was ignited by a transformative encounter with the legendary Stevie Ray Vaughan and Double Trouble. Inspired by Vaughan’s electrifying performance, Cummings picked up the guitar and never looked back. His debut album, “From the Heart” (2003), produced by Double Trouble’s Chris Layton and Tommy Shannon, marked the beginning of a remarkable career trajectory.

Over the years, Cummings has released a string of acclaimed albums, including “No Regrets” (2012), which expanded the boundaries of blues by incorporating elements of country and rock. With each release, he has continued to evolve as an artist, pushing himself creatively while staying true to his roots.

As Albert Cummings embarks on the next chapter of his musical journey, “Strong” serves as a testament to his enduring talent and indomitable spirit. With its powerful compositions and soul-stirring performances, the album reaffirms Cummings’ position as a luminary in the blues genre, poised to leave an indelible mark on the world of music for years to come.

PRAISE FOR ALBERT CUMMINGS:

“[The Long Way (2000) is a] barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimi Hendrix.” – Bluesprint Magazine

“[On True To Yourself (2004)] he attacks his axe with unbridled ferocity and deep soulfulness…his depth and expression are matched only by his terrifying technique and tone.” – Guitar One

“This recording [Working Man (2006)] is the calling card of a blues star who has arrived. Cummings’ guitar work is sizzling. This is one of the top blues albums of 2006.” – Billboard

“Though Albert always walks a fine line between rock and blues, he demonstrates effortlessly [on the live recording, Feel So Good (2008)] that the blues makes everybody feel great.” – Bostonblues.com

“The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does on Feel So Good. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” – Guitar Edge Magazine

“[Feel So Good is] one of the best live albums recorded in a long time.” – Music Connection

“Cummings’ first live album [Feel So Good] provides the perfect showcase for the fiery guitarist’s axe-handling skills and enormous onstage charisma.” – Blurt

“All the tracks on [No Regrets (2012)] pop with Cummings’ emotive style not just in terms of what he’s producing, slamming and bending his Strat’s six strings, but also in terms of where he pushes his simple yet soulful voice…That Stevie Ray tonality and combustion is not hard to hear in Cummings’ playing, but make no mistake—he’s not a Vaughan clone. Stylistically, compositionally, lyrically, and vocally he is very much a distinct entity.” – The Phantom Tollbooth

“[On Someone Like You (2017)] Albert gets into Robben Ford territory soloing effortlessly over the rhythm changes…these forays into jazz-blues are a real treat and leave the listener longing for more.” – Blues Rock Review