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THURSDAY, OCTOBER 24th

 

<PIG>

unitcode:machine

spankthenun

w/ DJ Culturegang

 

Presented by Distorted Heartbeat

 

Three Links

2704 Elm St.

Dallas, TX

 

Doors 7PM

Show 8PM

 

| <PIG> |

https://open.spotify.com/artist/5riS4sDqcjVAwvC37jxTP0

 

Pig is the main project of British musician Raymond Watts, a founding member of German industrial stalwarts KMFDM. Grittier and more experimental than many of the more well-known industrial acts, Pig's early albums, such as 1988's A Poke in the Eye... with a Sharp Stick, incorporated jazz and orchestral influences, not unlike sometime collaborator Foetus, along with metal guitars and complex dance beats. Subsequent albums were harder and more guitar-driven, yet featured surprising elements like the Latin rhythms on 1999's Genuine American Monster. After 2005's Pigmata, the project went on hiatus for a decade, returning with fellow KMFDM founder En Esch in the fold on 2016's The Gospel. This kicked off a prolific run of albums which included 2019's Candy, an eclectic collection of covers, and the back-to-basics industrial rock of 2020's Pain Is God.

Raymond Watts was born in London in 1961. Active as an engineer, producer, and musician since the early '80s, he worked with industrial acts such as Psychic TVCoil-related project Zos KiaFoetus, and Einstürzende Neubauten, as well as indie pop group the Hit Parade. He was also one of the founding members of the performance art ensemble originally known as Kein Mehrheit für die Mitleid, which would only later develop a more musical focus and become known as KMFDM. He left that band in its early stages and, as Pig, released a number of albums. The Wax Trax! label issued his debut LP, 1988's A Poke in the Eye... with a Sharp Stick, and his first two singles. He followed with Praise the Lard (on Concrete Productions) in 1991.

He would soon form a relationship with an A&R man at Alfa Entertainment, which released his albums The Swining and Red Raw & Sore, initially in Japan only. Watts also produced Je M'Aime, the 1994 debut by Sow (Anna Wildsmith), which was later reissued and credited to Pig & Sow. When Watts' A&R contact moved to VictorWatts followed and issued several albums through them, including the 1995 full-length Sinsation (issued in America the following year by Trent Reznor's Nothing Records). That year, he also returned to KMFDM to help them record their seventh album, Nihil. Wrecked arrived in 1996, with an American release following in 1997 on Wax Trax!/TVT.

The music featured on Watts' albums evolved over the years to become increasingly complex, incorporating German, British, and Japanese pop music elements and a variety of electronic idioms. The No One Gets Out of Her Alive EP appeared in 1998. In 1999, Cleopatra Records re-released the two Alfa albums as a single volume, resurrecting one of the strongest periods in his career. Genuine American Monster was issued in Japan the same year (Metropolis re-released it three years later). He performed with KMFDM for a few more years, and was co-credited on their live release Sturm & Drang Tour 2002.

Two years later, Watts released the hard-rocking Pigmartyr under his own surname, producing a remastered version titled Pigmata that arrived in 2005, as the seventh Pig studio album. Watts would sideline the Pig project for a decade, though he released a few projects under his own name, including the 2010 EP Mellan Rummen (with Dr. Shinto), composed as the soundtrack to a book by Daniel Watson. As Pig, he guested on "Bin Therre," the 2013 single by Mekon (frequent collaborator John Gosling). Pig returned in 2015 with a pair of collaborative EPs (Compound Eye Sessions with Cubanate's Marc Heal, aka MC Lord of the Flies, and Long in the Tooth with industrial rock supergroup Primitive Race).

En Esch, one of KMFDM's other founding members, officially joined Pig in 2016, and their eighth LP, The Gospel, was released that year, with a remix album, Swine & Punishment, landing in 2017. Studio effort Risen appeared in June of 2018, and a few months later, the group released a cover of KC & the Sunshine Band's "That's the Way (I Like It)" with musician and adult film star Sasha Grey. Following 2019 remix collection Stripped & Whipped, the Grey collaboration appeared on Candy, an entire album of covers, issued by U.K. label Armalyte Industries. After another remix album for the label, 2020's Stripped & Ripped, as well as a trio of independently released EPs, Pig returned to Metropolis with Pain Is God, which included versions of material from the EPs as well as the KMFDM song "Kickin Ass." ~ Stacia Proefrock & Neil Z. Yeung

 

| unitcode:machine |

https://open.spotify.com/artist/7DfCNuKFP8DcHVk7vBm3ns

 

unitcode:machine is a powerful blend of electro-industrial, darkwave, rock, and synthpop. Eric Kristoffer’s music is an examination of society and self, and the influences that it has on the psyche. Raised in rural Texas, music was an escape for Eric, and his mother’s obsession with 80s music helped to develop his tastes into more obscure and unconventional styles.
 
 
“Critical Fault”, the latest release from unitcode:machine, was produced by Christopher Hall (Stabbing Westward) delves into poignant themes, reflecting an intimate wrestle with the self. Embracing vulnerabilities and understanding. Each song forms part of a broader story, symbolized by the visual embodiment of “Critical Fault”.
 
 
“Everything about this album exudes strength and sophistication, most especially Kristoffer’s songwriting, which although steeped in the traditional pop structures, executes so well that one simply must sing along.” – Ilker Yücel, Regen Magazine.
 
| spankthenun |
 
https://open.spotify.com/artist/7iSOswSjKEtjKmPXSkV8EJ
 

SPANKTHENUN is an Electro Post-Punk Industrial act that dabbles in Darkwave, Techno, CyberPunk and a little bit of everything else from time to time. 
 January 2020, SPANKTHENUN released their first album. This release got the attention of several other artists in the Industrial Dark Wave genre and SPANKTHENUN quickly started collaborating with Leæther Strip, Slighter and Ivardensphere's Scott Fox who also produced the full length album Initial Decay Control. 
 SPANKTHENUN has released three full length albums, and many singles and remix EPs. The band continues to put out new content on a monthly basis and play high energy live shows that get any crowd dancing. The band also has a new side project coming called CARBON D3CAY that is focused on ultra high energy cyberpunk, dark techno and electro house. 
 SPANKTHENUN has collaborated with members of PIGFACE, Grendel, Mechanical Vein, Lords of Acid, Die Krupps, Extize, Empirion, ESA, Moris Blak, Matt Hart, Angelspit, The Joy Thieves, Ruined Conflict, Ruinizer, Leaether Strip, Blue Ant, 11Grams, unitcode:machine, Solemn Assembly, Eva X, Dread Risks, Anthony [H], Sawtooth, Negant, Nature of Wires, Melodywhore, Assemblage 23, Formato Negativo, Sapphira Vee, SET, Waidjan, Di Auger, Psychosomatik, Upon Eventual Collapse, Slighter, iVardenpshere, Toothpinch, Diverje and many more.

SPANKTHENUN has played live shows with The Haxans, Suicide Commando, I Ya Toyah and Christian Death.

 
DJ Culturegang
DJ Culturegang is the founder and resident DJ at DARKROOM - a monthly night at Charlie's Star Lounge dedicated to Post Punk, Goth and Industrial (every 3rd Wednesday).