(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of Saeed "Shariff" Torres, a 63-year-old Black revolutionary turned FBI informant, viewers get an unfettered glimpse of the government's counterterrorism tactics and the murky justifications behind them. Taut, stark and controversial, (T)ERROR illuminates the fragile relationships between individual and surveillance state in modern America, and asks who is watching the watchers?

"Apart of the History of Film Technology Celebration of VideoFest. In commemoration of the centennial of 3-D motion pictures, we present 3-D RARITIES. It has taken over 30 years for the 3-D Film Archive to assemble and restore the material in this eye-popping collection of ultra-rare and long-lost movies. Presented in high-quality digital 3-D, all films have been stunningly restored and mastered direct from archival materials. Meticulously aligned shot by shot for precise registration of the original left/right elements, these historic 3-D motion pictures have never before looked this good. Selections include Kelley's Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more! Presenter and archivist, Bob Furmanek, in attendance. "

An iphone video diary documenting the filmmaker's return to Toronto, moving houses, meeting friends, ending with a dance towards the future.

"AIN’T IT COOL WITH HARRY KNOWLES, the inventive new television series is a visual romp through of some of the favorite films and genres loved, admired and sometimes even scorned by the iconoclastic film, television and pop culture critic. Set in his “magical basement” full of rare and unique movie memorabilia, Knowles is joined by “Pops,” his miniature projectionist and “Boiler,” his alter-ego and the millennial equivalent to “Oscar the Grouch.” Guests this season include legendary actor Burt Reynolds, famed directors Wes Craven and Danny Boyle, House of Cards creator Beau Willimon and more. The half hour program is available on PBS affiliates nationwide. Check local listings. Filmmaker and subject in attendance. "

Anything you wanna watch in the palm of your hand. Crazy convenient...crazy.

Almost There is a coming-of-(old)-age story about 83-year-old Peter Anton, an "outsider" artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. Shot over eight years, ALMOST THERE documents Anton's first major exhibition and how the controversy it generates forces him to leave his childhood home. Each layer revealed reflects on the intersections of social norms, elder care, and artistic expression.

A world is shaken when a mother is confronted by the killing of her son.

Without a Doubt, The Ballad of Holland Island House, cyberGenesis, All Your Favorite Shows!

Charlie Kaufman's first stop-motion film about a man crippled by the mundanity of his life.

THE ART OF DIRECTING: HITCHCOCK, SPIELBERG, TRUFFAUT Director: Allan Holzman (IN ATTENDANCE) Genre: Documentary Category/Theme: Film history THE ART OF DIRECTING: HITCHCOCK, SPIELBERG, TRUFFAUT is a compilation of rare interviews with directing masters Alfred Hitchcock (toward the end of his career), Steven Spielberg (at the beginning of his career) and François Truffaut (at the height of his career). The interviews are culled from the Harold Lloyd Master seminar series from the early days at the American Film Institute.

was directed by documentarian Irving Lerner, a left-leaning filmmaker who would eventually be caught up in the Hollywood blacklist, and written by Joseph Krumgold, who would go on to write Newbery Award-winning children’s books